In theory, we each define our own songs of the summer. In practice, for better but sometimes for worse, certain songs will be as constant between Memorial Day and Labor Day as the smell of ozone and sunscreen at the beach, pumping themselves into our subconscious in restaurants, at the gym, and over the radios of passing cars. We sure as hell don't have to like them, but we can't always escape them. When we inevitably hear these same songs again in a few years, we just might have flashbacks to what we were doing in the summer of 2016; no pressure to have a great summer or anything!
Going by the Billboard charts, last year's song of the summer was OMI's "Cheerleader." In my own heart, it was probably Jamie xx's "I Know There's Gonna Be (Good Times)," featuring Young Thug and Popcaan. Those two songs tell you what you probably already know about summer hits: They tend to be upbeat, playful, and hugely catchy. Plus, a bit of hip-hop, reggae, or both certainly doesn't hurt. These songs of the summer don't emerge out of nowhere, however. Though the role of streaming playlists in influencing pop music only seems to grow, radio programmers still play a huge role in helping catalyze the weird alchemy that will create our future summer-music flashbacks. I spoke with a handful of them to hear what they think are the best bets for 2016's song of the summer.
As it turns out, if you picked Justin Timberlake's "Can't Stop the Feeling!" to make the most people dance, dance, dance all summer long, you're right there with the professionals. It's a safe choice: Timberlake is a superstar, the song is courtesy of platinum-bedecked hitmakers Max Martin and Shellback, and it has promotional backing from a movie, Trolls, that's poised to keep ramping up its marketing until a November release. But unlike the generic "room" mentioned in the song's lyrics, Timberlake doesn't necessarily have this on lock the way he rocks it. "Like [Daft Punk's] 'Get Lucky,' which was pleasant throwback disco of this sort, this song almost wants to be upstaged," Sean Ross, VP of music and programming for Edison Research and author of the Ross on Radio newsletter, tells me. "But time is running out."
One striking aspect of radio programmers' summer-song bets for 2016 was what they didn't pick. For instance, Pandora's partly data-based Songs of Summer 2016 playlist begins with Desiigner's "Panda," no one I spoke to went to bat for it. Drake's "One Dance," too, was more of an afterthought; and for as much as Beyoncé's's Lemonade succeeds as an audio and visual album, radio planners evidently aren't harboring plans to bombard us with standouts like "Hold Up" or "Sorry" as much we might want. Thinking back on songs like "Cheerleader" or Major Lazer's "Lean On" led me to wonder about some dark horse that's similarly catchy, lightweight, and ubiquitous, like the Chainsmokers' Daya-featuring "Don't Let Me Down" (also on the Pandora list), but again I found no takers.
Then there's the matter of timing. The vast majority of Billboard song-of-the-summer chart-toppers have historically arrived by April or earlier. Timberlake's "Can't Stop the Feeling!"—released on May 8—would thus be an exception, but he's seemingly got that sunshine in his pocket. Nevertheless, let's look at the whole spread of Song of the Summer contenders, and hear from their proponents in programming.
And if you haven't seen Pitchfork staffers' own songs of the summer, have a look over there for a bit more musical variety.
Justin Timberlake — "Can't Stop the Feeling!"A cheery, relentlessly unobjectionable postmodern-disco toe-tapper, Timberlake's movie song looks like the one to beat—er, stop. Chris Weingarten over at Rolling Stone nailed it when he described "Can't Stop the Feeling!" as "basically Pharrell's 'Happy' for Trolls instead of Minions," but that's not exactly a tough sell for a mass audience. When Timberlake previewed "Can't Stop the Feeling!" in the offices of the broadcaster formerly known as Clear Channel, recalls Sharon Dastur, senior VP of programming at iHeartRadio, "We immediately said those words, 'This is is the song of the summer." "It's different from what was out there," she adds. "It kind of has that flashback, throwback feel, but it's very current and it makes you feel great."
Dastur names a few other potential picks, but a couple of other programmers see nothing that compares with the Timberlake song. "It's such a big record," Michael Martin, SVP of programming and music initiatives at CBS Radio as well as program director of San Francisco's KLLC and KMVQ, tells me. "It casts such a wide net." Kid Kelly, head of pop music programming at SiriusXM, agrees. "I can visualize the current Timberlake song playing on a variety of formats, including urban and R&B," he says. "I don't know that we will ever hear a Drake song hit the [adult contemporary] format."
Drake — "Controlla"If Timberlake doesn't end up dominating all summer long, two likely beneficiaries are Drake and Rihanna. "It's the Drake and Rihanna summer," Pio Ferro, the program director at New York rap station Hot 97, tells me. Of the top five songs on Hot 97 right now, two are by Drake, and two are by Rihanna; one of those is Rihanna featuring Drake ("Work"), and the other is Drake featuring Rihanna ("Too Good").
Ferro guesses that "Work," like Desiigner's "Panda," won't stay massive all summer. He goes out on a limb to pick "Controlla," VIEWS' mid-tempo R&B highlight with a dancehall vibe. "I would say 'Controlla' from Drake is going to be the song we're really sick of by the time summer is over," Ferro says. "It has that summer feel. It's just a great song."
Then again: "A great summer song is only appreciated after the summer is over," Ferro adds. "It's that song, the one you hear, you kind of reminisce and you go daaaaamn." As a more personal favorite, he cites dancehall singer Charly Black's "Gyal You a Party Animal." On the Drake front, it's impossible to overlook current No. 1 "One Dance," which CBS's Martin calls "a beast" of a record, though not one he expects to surpass the Timberlake song's broad ubiquity.
Calvin Harris and Rihanna — "This Is What You Came For"Rihanna's previous collaboration with Calvin Harris, 2011's "We Found Love," spent more weeks at the top of the Hot 100 chart than any other song that year. It also outstayed Rihanna's Jay Z-featuring "Umbrella," which ended up as 2007's highest-charting summer song. But "We Found Love" premiered in September, ahead of Rihanna's Talk That Talk LP that November. The timing wasn't right for it to be a song of the summer.
In January, Rihanna released the compelling ANTI, which several months later already feels somehow underrated for a major pop star. Hot 97's Ferro justifiably lauds ANTI's "Needed Me" along with the Drake-featuring "Work," but perhaps given the album's ambition—much as I'd love to hear Rihanna's "Higher" rasp on Top 40 radio, I'm afraid it ain't gonna happen—it makes sense that RiRi's most hotly tipped single of 2016 is another huddle with Harris.
"I love Rihanna's ANTI—I think it's phenomenal," iHeartRadio's Dastur tells me, but "I love hearing her vocal quality on the Calvin song, it's back to her purer singing." "Calvin is going to be a really big record as well," CBS's Martin adds. In 2016, if the song of the summer is what Rihanna came for, her sleek dance-pop track with Harris may be how she gets it.
Ariana Grande — "Into You"The vocal powerhouse's new album Dangerous Woman is loaded with songs that might, on paper, vie for song-of-the-summer honors. Her swaying, cinematic title track is probably too downtempo to qualify. But "Side to Side" is both reggae-tinged and features a guest in Nicki Minaj, who's no stranger to great summer songs (2013's "Starships" and 2011's "Super Bass" both ended their respective summers in the seasonal top 10). Elsewhere, the woozy "Everyday" borrows a trap infusion from Future, akin to Katy Perry's Juicy J-featuring "Dark Horse."
But it's "Into You," with its four-on-the-floor pulse and skeletal finger-snap production, that's Dangerous Woman's most likely song to be everywhere this summer. That's thanks in small part to a writing and production team that includes not only the aforementioned Max Martin, but also Alexander Kronlund; together, they worked on Britney Spears' "Till the World Ends" and vintage Robyn, while Kronlund also co-wrote Robyn's "Call Your Girlfriend." "You just see how people instantly react to a song," iHeartRadio's Dastur tells me. "This is the one. There are some really great tracks on [Dangerous Woman] that are going to have a lot of legs for the year to come. But 'Into You' is just so, so catchy and hooky."
DNCE — "Toothbrush"Joe Jonas's post-Jonas Brothers pop-rock band had its "Cake by the Ocean" last year, with a Top 10. Now DNCE are back to promote oral hygiene. Not really: Follow-up single "Toothbrush" is really more of an extended dance-pop riff a line from Jonas influence John Mayer's 2001 album cut "City Love" ("She keeps a toothbrush at my place..."), though admittedly without the wit seen in the rest of the original couplet ("...as if I had the extra space"). If the lyrical resource is Mayer, the sound is deeply rooted in the falsetto lite-funk of Maroon 5. Still, it's sure to be blasting from plenty of radios this summer, argues iHeartRadio's Dastur. (And alternative option if this isn't your thing: Listen to Maxwell's "Lake by the Ocean" and trust any romantic partners can keep track of their own dental floss.)
Meghan Trainor — "Me Too"The "All About That Bass" singer's previous single, "NO," took on pick-up creeps via turn-of-the-century pop-R&B a la Destiny's Child and Britney Spears. Next up is the self-affirming "Me Too," with Karmin-style rapping set to electro-pop, plus an "Uptown Funk"-style chorus. (Both are produced by Ricky Reed, who remarkably first came to prominence with Das Racist's breakout remix in 2009.) "The Meghan Trainor song obviously is a big hit," iHeart's Dastur tells me. "It gives her a little more attitude, and a little more swag, and even just looking on Twitter, people mouthing the words to this song just because it's so fun. I definitely think 'Me Too' is going to be one of the bigger songs."
Fitz and the Tantrums — "HandClap"L.A. pop-rockers Fitz and the Tantrums' forthcoming self-titled seems timed to summer listening (it's out next week), with single "HandClap" fitting right into a sunny mold. The verses are strikingly similar to a more caffeinated version of Lykke Li's 2008 song "I'm Good I'm Gone," on which Lykke Li even sings, "I know your hands will clap," right before subtler handclaps in a damn near identical rhythmic pattern; likewise, "I can make your hands clap," Fitz & co. repeat on "HandClap." But here it all opens up into a swelling, post-Bono chorus that includes the phrase "say a prayer to James Brown."
In the rock or alternative-rock radio realm, "HandClap" seems poised to be inescapable this season. "If you're stuck in traffic or even on a road trip you can try to count the actual handclaps in the song," says Jeff Regan, senior director of music programming/discovery initiatives at SiriusXM and host of the Alt Nation channel. It "really is one of those tracks that qualifies as a song of the summer," agrees Troy Hanson, VP of rock programming for Cumulus Media and also program director of Chicago's 101 WKQX. "It's bright, it's uptempo, and it's drop-the-top and have fun."
M83 — "Go!"M83's "Go!" feels like a culmination of something. After exploring an electronic variant of shoegaze on early M83 albums, Anthony Gonzalez embraced synth-pop romance worthy of launching a thousand John Hughes-soundtrack comparisons on 2008's Saturdays=Youth. By 2011's Hurry Up, We're Dreaming, M83 took dreamy synth-pop widescreen; Gonzalez did the same thing in a more literal sense, with 2013's Oblivion soundtrack. But on this year's Junk, M83 trawls ever-deeper through pop's trove of discarded culture, and "Go!" goes about as far as imaginable: Sax, OK, we're used to that, but a blissfully cheeseball guitar solo from the actual Steve Vai? French guest vocalist Mai Lan, though, is the song's secret weapon.
Despite everything, somehow it's not hard to imagine that guitar-encircled countdown-to-launch of a pre-chorus—and then the actual, bouncy chorus itself—pervading the airwaves in certain corners over the balmy months. "Go!" will never top the Hot 100 because it will never breach Top 40 radio, but there are other ways to reach listeners; Gonzalez is no stranger to syncs in commercials and TV/film.
"Everything is lining up for this song," SiriusXM Alt Nation's Regan says. "It makes me feel like jumping in a swimming pool. Windows down. But if you look at it on paper it's like, 'This is crazy.'" Rob Cross, VP of music programming at SiriusXM and program director of its indie-oriented SiriusXMU, concurs: "M83''s 'Go!' is great, just because vibe-wise it fits the summer." A French producer's spacey, synth-based song, with a Steve Vai solo, as 2016's Song of the Summer? This year, stranger things have already happened (see: the rise of Trump), and surely will continue to happen (see: the inevitable election of Trump :/). And after all, it takes a song with an exclamation point in the title to topple a song with an exclamation point in the title, right? Right!